The Church of San Maurizio al Monastero Maggiore is one of the most extraordinary, yet still lesser-known, masterpieces of architecture and painting in Milan. Although its exterior appears modest and unassuming, the interior conceals a monumental wealth of detail.

This Renaissance religious complex, located on Corso Magenta, was built in the early 16th century on the site of a former Benedictine monastery. The church’s architecture reflects the strict monastic rules of the time and is based on a unique, bipartite layout. The interior is divided into two separate sections by a high wall. The first, smaller nave was intended for laypeople and the faithful from the city. However, the true heart of the church beats behind the partition – the gigantic Coro delle Monache (Choir of the Nuns). This is where the cloistered nuns could attend Mass, remaining completely isolated from the outside world. What irrevocably captivates every visitor are the frescoes that cover almost every inch of the walls, pillars, and vaults. The total area of ​​the paintings exceeds 4,000 square meters, creating a cohesive, breathtaking gallery of religious art. Most of these works were painted by the eminent Renaissance painter Bernardino Luini and his sons. Luini, one of the most important students and imitators of Leonardo da Vinci himself, brought to San Maurizio his masterful use of chiaroscuro and subtle facial expressions. The frescoes depict scenes from the lives of the saints, the Passion of Christ, and numerous biblical motifs. Among them stands out the remarkably detailed and charming fresco depicting Noah’s Ark, on which the artist also incorporated fantastical creatures, including a pair of unicorns.

Today, this extraordinary site can be visited completely free of charge. An additional advantage is the Archaeological Museum directly adjacent to the church. A visit to San Maurizio not only allows you to experience Renaissance art of the highest caliber, but also provides a unique opportunity to see the authentic remains of the Roman defensive walls and the ancient circus, which are incorporated into the courtyard of the former monastery.